![]() Some authors create charactonyms for their characters. However, some authors have used stock characters as the starting point for building richly detailed characters, such as William Shakespeare's use of the boastful soldier character as the basis for John Falstaff. They tend to be used for supporting or minor characters. Generally, when an archetype from some system (such as Jung's) is used, elements of the story also follow the system's expectations in terms of storyline.Īn author can also create a fictional character using generic stock characters, which are generally flat. Some writers make use of archetypes as presented by Carl Jung as the basis for character traits. Īn author can create a character using the basic character archetypes which are common to many cultural traditions: the father figure, mother figure, hero, and so on. Other authors, especially for historical fiction, make use of real people and create fictional stories revolving around their lives, as with The Paris Wife which revolves around Ernest Hemingway.Īrchetypes and stock characters Literary scholar Patrick Grant matches characters from The Lord of the Rings with Jungian archetypes. The use of a famous person easily identifiable with certain character traits as the base for a principal character is a feature of allegorical works, such as Animal Farm by George Orwell, which portrays Soviet revolutionaries as pigs. Real people, in part or in full Īn author or creator basing a character on a real person can use a person they know, a historical figure, a current figure whom they have not met, or themselves, with the latter being either an author-surrogate or an example of self-insertion. The narrative ghost usually encompasses causes, such as a traumatic event, and the resulting character flaws. The resolution of this flaw, often but not always achieved by reaching the above-mentioned goal, is called a "Ghostbuster". The ghost is an event or flaw that drives a character's arc by creating an incentive toward a goal the ghost is sometimes described as "haunting" the character. Protagonists can be created with a "Ghost". Sometimes characters are conjured up from imagination in other instances, they are created by amplifying the character trait of a real person into a new fictional creation. In fiction writing, authors create dynamic characters using various methods. The relation between characters and the action of the story shifts historically, often miming shifts in society and its ideas about human individuality, self-determination, and the social order. The individual status of a character is defined through the network of oppositions (proairetic, pragmatic, linguistic, proxemic) that it forms with the other characters. The study of a character requires an analysis of its relations with all of the other characters in the work. The characters in Henrik Ibsen's Hedda Gabler (1891) and August Strindberg's Miss Julie (1888), for example, are representative of specific positions in the social relations of class and gender, such that the conflicts between the characters reveal ideological conflicts. Types include both stock characters and those that are more fully individualised. Ī character who stands as a representative of a particular class or group of people is known as a type. Since the 19th century, the art of creating characters, as practiced by actors or writers, has been called characterisation. Since the end of the 18th century, the phrase " in character" has been used to describe an effective impersonation by an actor. In literature, characters guide readers through their stories, helping them to understand plots and ponder themes. ![]() (Before this development, the term dramatis personae, naturalized in English from Latin and meaning "masks of the drama", encapsulated the notion of characters from the literal aspect of masks.) Character, particularly when enacted by an actor in the theatre or cinema, involves "the illusion of being a human person". From this, the sense of "a part played by an actor" developed. Derived from the Ancient Greek word χαρακτήρ, the English word dates from the Restoration, although it became widely used after its appearance in Tom Jones by Henry Fielding in 1749. The character may be entirely fictional or based on a real-life person, in which case the distinction of a "fictional" versus "real" character may be made. ![]() In fiction, a character is a person or other being in a narrative (such as a novel, play, radio or television series, music, film, or video game). Four commedia dell'arte characters, whose costumes and demeanor indicate the stock character roles that they portray in this genre.
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